‘Case Pyhäjoki – Artistic reflections on nuclear influence’ is a transdisciplinary artistic expedition, production workshop and presentation events in Pyhäjoki, North Ostrobothnia, Finland 1st to 11th of August 2013. The sixth nuclear power plant of Finland is planned to be built at Hanhikivi Cape in Pyhäjoki.

The aim of the project is to explore artistic perspectives on the vast changes planned in Pyhäjoki, through the planning of a nuclear power plant at the site, and this way of considering energy production and consuming in the world. Artists can not only reflect upon and depict social phenomena and socio-economical relations, but can also situate themselves in between politics, activism and science. Can art make changes? If so, what would be the creative tools of activism? Life itself has become increasingly politicised in the new millennium and obviously this reflects on us all. There are plenty of art works that comment on issues seen unethical or wrong, revealing different kinds of world views. Also, there are community art projects that comment for example social condition that involve participants from different fields. But can the border in between art and activism be blurred more? Could it be involving yet aesthetical? Aren’t we all activists? What are other ways of activism in addition what we are used to think? And what is the change we are after? The nuclear power plant in Pyhäjoki is a concrete project that connects many aspects from NGO-activity, politics, local and global economical situation to energy production and consumption expectations as well as decreasing natural resources.

The local situation in Pyhäjoki, and the planned nuclear power plant, is a case example for the workshop. People have formed strong opinions about the plant. The small community in the area has divided into those who are for and those who are against the power plant project. The aim of the expedition is to familiarise well with the current conditions in Pyhäjoki and try to collaborate with the local community, although many questions may be raised with are not easy. Could art work in between the two polarised opinions about the power plant? What kind of political process leads to the power plant plan? What does it mean to a small, agricultural community like Pyhäjoki or Ostrobothnia area? What does it mean at the national and global level? Can nuclear power mitigate climate change? Does nuclear power make Finland energy independent? What are the alternatives to nuclear power i.e. zero growth or new means of renewable energy production etc? Pyhäjoki is an excellent case study during the times of continuing ecological, social and economical crisis of the different path choices which humankind can take in order to flourish.

The first days of the expedition are for discussions, presentations (both local, national and international researchers, activists and artists), getting to know the area and its’ people with trips and excursions. The rest of the days are dedicated for independent or group work that can lead to e.g. a project demo, plan, performance, artistic action tools, discussion event, intervention etc. locally or creating overall action structures that can be implemented elsewhere. There will be a final public presentation and if needed a small exhibition for demos, ideas and documentations in the end of this production workshop. The aim is to have something concrete in our hands in the end to continue the work in the future.

The presentations by different experts during the workshop are open to public.